Henrietta Stuart


Henrietta StuartHenrietta Stuart





I paint abstracts in oil on canvas, based on 'things seen': formerly still life, now mostly landscape, in which I aim to evoke time and place, using colour and light. I paint in thin layers, laying paint over paint to exploit its transparency, a technique of which Turner and Titian were both masters. My latest inspiration has come from vistits to the West coast of Scotland and the West Sussex coastline. I was awarded aresidency in Kerry Ireland in February 2019 at Cill Rialaig and the of the west coast of `Ireland is giving my most recent pieces a deeper sense of magic.

My formative influences included Georgio Morandi, Paul Cézanne, Georges Braque, Mark Rothko, Robert Motherwell, and Clyfford Still. Morandi is remembered for pointing out that "There is nothing more abstract than the visible world". I in my own way set out to make abstract compositions out of things I have seen, and been moved by: "A world observed and translated - a world created from the natural and the man-made: 'still life' a still life both drawn and felt, as one would admire and caress a well-loved jug, or wonder at the light on the water of the Thames on a calm spring morning" - 

The process

My paintings have developed over the years from abstracts based on still life to compositions woven from images taken from the natural world. My inspiration as always is from places and images that I have seen. The compositions are worked up from extensive drawing, of the landscape.The finished pieces range from almost totally abstract compositions evoking a sense of place to more easily recognisable landscape images: natural world modulated by time and season, disclosed by visual texture and colour. 

Colour and light  and drawing a very important to me.. Colour is used to evoke emotion, and gives a sense of time and place; light is used to create space and to mask and hide objects, creating a sense of mystery. Drawing is giving me a greater idea of place and giving a greater structure to my paintngs.


Usually there is a recognisable 'formative influence', thus: my work in 2002 and '03 was influenced by months spent in Southern India and Sri Lanka - Keralan coastal ports with their fishing villages and vibrant markets, light over the waters of the Arabian Sea and the inland waterways, the dry and barren inlands of Tamil Nadu and the hills and mountains of the Nilgaris and the Western Ghats. Over the same period I managed some time painting in Britain, in the South Downs near Seaford, and in the open chalk-down countryside around Winchester - yet more influences.

In 2003 I spent an extended period of time in the south of France. My french home in 2004 was in the raised circulade (village) of St Pons de Mauchiens in the Herault, dominated by its 'garrigues' - a landscape of limestone uplands, many surmounted by vineyards, planted in what looks like just shattered rock. We were also near the coast, and I have painted the littoral around the nearby port of Sète, and the enclosed waters of the Bassin de Thau-Bouzigues, with its mussel-beds and characteristic boats, the waters calm and reflective especially early in the morning. In 2005 I moved to a new studio in Neffies, where the surrounding countryside provided a new influence on the 2005 Autumn collection.

In 2007 & 2009, I travelled to the Greek island of Ithaca, in the Ionian Sea. I spent four months on the island walking, sketching and painting. It was on returning to France and being back in my studio that I started to see the influences coming through and enriching the compositions. Ithaca has shown unique Ionian softness and calm juxtaposed against the bustle of the ports with their fishing boats and flotillas, the panoramic views from the hilltop villages, or sea mists obscuring all but the occasional silhouette. The warmth, noise and whirl of the Panighiria festivals set against the quiet of the early morning seas seen over a carpet of spring colour.

In 2010 I visited Australia which again exposed me to new landscapes with rich reds yellows and blues.

I returned to the UK in 2011  and have spent some time finding a new studio. I have now moved into Wimbledon Art Studios, with my painting being inspired once again by the local landscape, but in a new light influenced by the last 8 years. My most recent influence has been from trips to the west coast of Scotland and weekly trips to the coast of West Sussex.  As I see more and more of the British coastline I fall more in love with British light.



Born 1965 (London), schooled Orleans, Twickenham and Marlborough College
1984-88 University of Newcastle upon Tyne
1988-92 lived and worked in Marseilles, associating with French artists
1993 returned to London, setting up studio in Chiswick
1997 moved to Chertsey near the Artists Studios, where I painted, at last full time
2003 moved with my husband near to Beziers in the south of France.

2011 returned to the UK and took a studio at Wimbledon Art Studios

2017 studio 134 Wimbledon Art studios.

Qualifications and awards

BA Hons (first class) in Fine Art, University of Newcastle upon Tyne
1984 - John Christie Prize for Art
1988 - John Christie Prize for Painting

2014,15 & 16 Solo Exhibition at the A&D Galery 51 Chiltern St ,Marylebone, London

2015  2016  RWA - Bristol OPen exhibition

2016 & 2018 SWA exhibiton - Mall Galleries , London

2017 Shorlisted for the Royal Academy Summer exhibition

2017 Selected for the NAtional Open Compettion 

2017 Solo Exhibiiton - Turner Barnes  Gallery Essex.

2018 Long listed for the John Moores Prize Liverpool.

2019   Blurred lines - Joint exhinbition  @ tthe Graham Hunter Gallery - Baker Street. London

2001 - National Physical Laboratory painting competition, second priz

Exhibition History

2017 NovAutumn Skies, Solo Exhibition at the Turner Barnes Gallery, Essex
2017 NovThe Cambridge Art Fair with the Art Agency Esher
2017Fresh Art Fair The Art Agency
2016Solo Beyond the Horizon A&D Gallery Marylebone
2104Dancing Light solo A&D Gallery
2015Rhythmic Light Solo A&D Gallery Marylebone
2015,2016,2017Nicholas Bowlby AAF Hampstead & Battersea
2015,2016,2017NRA Llewellyn Alexander
2015Oil & Water Gallery, Environment Absorbed
2015Corte Real Gallery Portugal
2014Art 50 Loud & Western
2014,2015,2016,2017The Art Agency Esher, AAF Bristol
2014Nicholas Bowlby Gallery AAF Hampstead & Battersea
2014Oil and Water Gallery - Wandsworth
2104Shifting Light. The Art Agency Esher
2013Wimbledon Open Studios
2013NRA Llewellyn Alexander Gallery
2013Box Galleries mixed show,Studio106 Dawes Rd
nov 2014Solo Show at the A&D Gallery
2012 NovemberOpen Studios Wimbledon Art Studios
2012 NovemberAffordable Art Fair Hampstead
2012 OctoberAffordable Art Fair Battersea
2012 JulyNot the Royall Academy Alexander
2012 JuneChelsea Art Society 65th Annual Exhibition
2012 MayOpen Studios Wimbledon Art Studios
2011 NovemberOPen Studios Wimbledon Art Studios
2011 OctoberAffordable Art Fair BAttersea with Nick Bowlby
2010 NovemberWindsor Art Fair
2010 OctoberAffordable Art Fair BAttersea with Nicholas Bowlby Gallery
August 2010Languedoc Light - Agence Galerie Clermont l"Herault
August 2009Parisot INternational Art Fair